The book/movie connection

In trying to come up with a blog topic this week that would be fun and not interfere with NanoWriMo’s impending start, I thought of movies I love and how many of them are based on books I love.

And, of course, that very thought immediately led to this week’s questions: What book or books would you most like to see turned into a movie and why and who would you want to play the main characters.

This is tough. A few books that I’ve always loved have movie adaptations soon to be released or in the works. Examples include The Golden Compass and A Great and Terrible Beauty.

So what other book would I choose?

I love romantic comedies and love stories. I recently read Sugar Daddy by Lisa Kleypas. It’s a delightful story and full of all the stuff that makes romances fun.

(Plug for her contemporary romances: I just went to her website and saw that Blue-Eyed Devil, her new contemporary, comes out in March. I may have to pre-order. Characters from Sugar Daddy resurface -- one that I particularly liked – but I won’t tell you who in case you haven’t read Sugar Daddy. I wouldn’t want to spoil it for you. SPOILER alert if you read the excerpt from Blue-Eyed Devil on her website without reading Sugar Daddy first.)

Anyway, I won’t create a synopsis of Sugar Daddy from scratch. Here’s one from Booklist that was posted at Amazon: “Money is tight while Liberty Jones is growing up in Welcome, Texas, but somehow she and her mother Diana manage. Having good friends like Miss Marva, Lucy Reyes, and especially Hardy Cates, on whom Liberty has a crush, helps. Then tragedy strikes and Liberty must take care of her younger sister and find a way to support them. Hard work and determination get Liberty through cosmetology school, then, while working in a Houston salon, she meets wealthy older businessman Churchill Travis, who offers her a job as his personal assistant. At first Liberty is reluctant to accept, especially since Churchill's son, Gage, seems to think she's a gold digger. Then, just as Liberty is settling into her new life and her initially frosty relationship with Gage is heating up and turning romantic, Hardy Cates, her first unrequited love, reappears.”

So, why this book? I won’t go into every reason, just a few important ones. First, the book is grand enough to support a 2 to 3 hour movie. A lot happens. Second, the characters are rich and intriguing. Third, I grew up in Texas. To some Lisa’s portrayal may seem over the top, but if you’ve ever lived there, you know it’s right on.

Cast of important characters:
Liberty Jones -- adult (1/2 hispanic, ½ white): Jessica Alba
Carrington – anyone know any cute blonde child actors?
Hardy Cates – Matthew McConaughey
Gage Travis – Christian Bale
Churchill Travis -- Probably not the best choice, but for now – Sam Elliot


Macy

Katrina's Top TBR Picks

Going through my TBR pile to choose my top 5 for today is no small feat. I’ve already split my TBR library into two shelves, one of which holds 35 yet-to-be-read books, which I want to read before I move over to the overflow shelf which currently hosts another 20.

I must clarify that the top of the top at any given moment is influenced by mood, the moon and often the last book I read. Sometimes I want more of the same, and sometimes I need something entirely different.

I don’t know which particular influence was strongest last night when I pulled these five from the shelf, but I did notice it’s quite a well-rounded list.

In no particular order (I just didn’t want to go there), here’s what I grabbed…or at least what grabbed me:

The Naked Marquis by Sally MacKenzie. While hunting for a book for our AOTP book club I ran across the Naked royal guy series at Barnes & Noble. The covers are so colorful and the idea of a Naked Duke, Earl or just about anything, peaked my interest. I flipped through it, liked the writing style, loved the comments from other writers and saw that it was $4.99. Under $5?! Done! It’s a light-hearted historical and looks to be a fun read. In fact I skimmed through it last night, just to be sure it merited the “in the next five” pile and the next thing I new I was crawling into bed two hours later. Not good for my Monday at work, but a good sign for the book.

It Had to Be You by Susan Elizabeth Phillips. I’ve read several of SEP’s book and have loved them all, so I’m always happy to throw one of hers in the mix. This particular copy is signed by SEP herself, and while in line to obtain that very signature, wanting to snag another favorite, I asked my fellow liner-standers which ones they recommended. They all loved this one. SEP did too. It’s contemporary.

Outlander by Diana Gabaldon. I love historical novels set it Scotland. I love Scotland. I took a tour there once and fantasized about living back in the day, in what I perceive were more romantic, less complicated times. Had I really lived then, I’d probably have been a maid or cook or something though, so it would likely not have been as romantic. Anyway, I love time travel too, so this has the best of both. I’ve also heard amazing things about this novel, and Gabaldon won a RITA for it in 1991. I just need to set aside a chunk of time to read it, as it’s 600 pages in what looks to be a tiny font.

Out of Control by Suzanne Brockmann. I read two different articles (one on POV and the other on character introduction) that quoted excerpts from this novel. Although I may not have picked up what I was supposed to from the instruction, I did pick up the book. One of those excerpts turns out to be from the prologue. Seriously. The prologue! She had me by the end of the first page of the prologue. That’s pretty damned good I’d say. So I have to read this book. Maybe next, since I just reread page one the prologue and am rehooked all over again. It has adventure, loyalty, a hot tough guy with a witty sense of humor. Wit always gets me.

The Secret History of the Pink Carnation by Lauren Willig. The lively Miss Willig spoke at our local (NYC) RWA chapter brunch last Spring and I bought her book on the spot. I thought, if her crisp wit and charming personality come across on the page, it will be a great read. The gist of the story is a grad school student plagued with bad luck and a dismal love life goes to London to do research on the Scarlet Pimpernel and the Purple Gentian and somehow discovers the secret history of the Pink Carnation. From what I understand the story skips between the grad student’s present day life and the exploits of the Pink Carnation in the past. Love and intrigue abound. Honestly, Lauren is hilarious in person and I’m sure her book won’t disappoint.

That’s it for now. I think we’ll have to do a second blog about these TBR choices after we’ve read them. Then I’ll really tell you how great they are. ;)

So, what’s in your to-be-read pile?

Katrina

Macy's TBR Pile

This week we’re blogging about our TBR pile.

Hmm.. I have a to-be-read book case, but I do have it sort of narrowed down to some books I REALLY want to read next.

Of course, like Alyson, I continuously shuffle the books and replace and reposition the ones I’m most eager to read. That means as I read books and add them to my list on Random Ravings, you may or may not see these books being changed from TBR to read.

I’m currently reading two – The Rules of Survival by Nancy Werlin and The Devil and Miss Prym by Paolo Coelho. I keep setting aside Devil to read leisurely, but I’m going to just dive in and get it finished over the next week. Also, the AotP book club is about to tackle Adios to My Old Life by Caridad Ferrer. I haven’t bought it yet, but I’ll be starting it soon.

However, these are the five I’m eager to dive into:

Skin Hunger by Kathleen Duey. First, it’s one of five nominees for a Horn Award. Big stuff. It’s the only fantasy book on the short list of Horn nominees. The cover is compelling, the premise is exciting.

Here’s a blurb from Amazon: "This double-narrative fantasy begins slowly but deepens into a potent and affecting story of struggle. First, a small farm boy begs a magician (healer) to help his mother through childbirth, but the magician's corrupt and leaves the baby on the floor and the mother dead. The baby is Sadima. Sadima grows up able to read animals' minds and eventually seeks the city, where she joins two intense young men: tempestuously abusive Somiss, madly trying to capture ancient languages of magic, and Franklin, serving Somiss with odd devotion. Somiss claims his work will restore banned magic and help the poor. In a second story line, a boy named Hahp is sent to a magician's academy where he's starved, abused and taught meditation. Only one boy will live to graduate as a wizard, and they're forbidden to help each other survive the filth and hunger. Some painful connections between the two narratives emerge, though key details-and the fates of Sadima and Hahp-wait for the sequel. Darkly resonant."

So what is it that strikes me? Maybe it’s the “darkly resonant” part. I could tell it would be dark just by the blurbs. And, well, I like dark stories. I like them to end well, but I don’t mind a good dose of dark on the way to the happier ending. I also thought it might be interesting to note that it’s a YA book.

Wicked Lovely by Melissa Marr. Okay, first, I have a thing for the Fae. I love stories about the Sidhe or fairies. I love the lore that surrounds them. I love the concept that they’ve been around forever and are very powerful, sexual beings. In Wicked Lovely, a royal fairy believes the female protagonist (a high school girl) is the one he’s supposed to marry in order to fulfill his power. But she can see him and she knows what he is and she’s been taught to be very afraid of the Fae. And as you can see, it sounds like a great deal of conflict ensues.

Here is a blurb about Wicked Lovely from Amazon: "Melissa Marr adds elegantly to the sub-genre of Urban Faery with this enticing, well-researched fantasy for teens … The romantic scenes are delicious. The fantasy of being pursued by two young men is alluring in itself, but when one is a pierced and tattooed sexy outsider and the other is a blindingly beautiful King of Faery, how much better can it get? Halfway through the book, I knew which characters I wanted to end up together, and that made me read greedily on. Readers will beg for a sequel."

….. Again, it’s YA.

The Reincarnationist by M.J. Rose. This book grabbed me with its title. This is not a YA book. From a combo of various blurbs: “Rose delves into religious myth and past-life discovery. In present-day Rome, a terrorist bomb explosion triggers flashbacks of pre-Christian Italy in photographer Josh Ryder. Josh experiences the memories as Julius, a pagan priest defending the sacrosanct monuments of his gods and the life of his vestal virgin lover. Convinced these episodes aren't figments of his imagination, he enlists the aid of the Phoenix Foundation, a group that specializes in past-life research. Later, when he becomes involved in the unearthing of an ancient tomb—and experiences a connection with its long-buried resident—Josh realizes he has a chance to right a wrong that happened a millennium and a half ago.”

I’ve been looking for some new, good, not YA, Urban Fantasy since I’ve given up Anita Blake. (Frown.) I’m going to try Rachel Caine’s Weather Warden series. The first book in it is Ill Wind. The protagonist can control the weather, but she’s on the run for murder and doesn’t know who to trust. The book has gotten good reviews, so I’m adding it to the TBR pile and putting it pretty high on the list. It’s waiting for me now on my bed-side table.

This last one is the tough one. What to add in the fifth spot?

I'm going to go with one my neice recommended. It's Stormbreaker by Anthony Horowitz, first of his Alex Rider series. Yep, this is YA. Fourteen year-old Alex is reluctantly and forcibly recruited to be a spy when his guardian (also a spy) is killed. Then, he's off on his first mission to thwart a Middle-Eastern terrorist who's targeted schools in a cold and calculating way.

Oh, wow. I've spent way too long on this. I need to go write so that I can go get started on this pile. Do you think there is any way I can tackle them all by Christmas?

Macy

Alyson's TBR Pile

This week we're sharing the top five books on our TBR pile. Shouldn't be hard, but it is because I tend to reshuffle the top books daily. So, I'll start with this--I'm currently reading Rules of Survival by Nancy Werlin, a great book which has triggered surprisingly emotional remembrances of old weights or albatrosses. Things like fear, anger and overresponsibility for the well being of your siblings.

I'm short on time this weekend, so, for now, I'm just going to list the rest and I'll try to come back to tell you more about them.

Story of a Girl by Sara Zarr
Thirteen Reasons Why by Jay Asher
Nick & Nora's Infinite Play List by Rachel Cohn and David Leviathan
Diva by Alex Flinn ( following a quick reread of Breathing Underwater)

I'm thinking of writing a Young Adult novel for Nano. Or a Young Adult type book geared toward college age kids. We'll see how it goes. Four scenes keep begging for a story in my overactive imagination:)

Cheers and happy reading,
Alyson

Writer Envy

Sheer Playfulness and Deadly Seriousness are my closest friends.
– Philip Roth

# # #

I wish I was her, or him-- what current writer do you envy and why?

I saw this topic over at The Longstockings a week or so ago and I thought it sounded like so much fun. I wasn't sure which writers I'd choose as "the current writers I most envy" because I love so many authors for so many different reasons.-- Susan Elizabeth Phillips, Jennifer Crusie, Janet Evanovich, Diana Gabaldon, Loretta Chase, Barbara Kingsolver, Toni Morrison, Isabel Allende, Marian Keyes, Rebecca Wells, Elizabeth Gilbert, Megan McCafferty, Lois Lowry, JK Rowling, Judy Blume, Laurie Halse Anderson, Phillip Pullman, and so on and so forth. . . so many amazing writers to choose from. And then, there's the people like Nora Roberts, who I may not consider my personal faves, but who are so dang successful, such icons, it makes my head turn.

I didn't over think the question because it's been a busy week and I've been preoccupied with other things. Plus, I like to be spontaneous, to keep things "fresh. " So, when I sat down this morning, I was surprised-- the first writer that popped into my head was Philip Roth.

Philip Roth?

I mean no disrespect. Quite the opposite. He's a brilliant, celebrated, prolific writer, so, in that respect, it's not "odd." I've read three or four of his books and I've loved, loved, loved each one. However, it wasn't what I expected. I write nothing like him! He's brilliant and literary and , and, and . . .

I'm not.

But maybe, deep down, I want to be. Or maybe, there's something else to take away from this.

Philip Roth first achieved fame with GOODBYE, COLUMBUS (1959), a novella and five-story collection describing the life of a of Jewish middle-class family. Ten years later PORTNOY'S COMPLAINT was published. The book became a great, great international success. I remember being blown away by it. I'd never read anything like it. It's a "masturbation story" in which Roth yokes wild comedy, guilt and rage together as the narrator searches for freedom by using sex as his way of escape. Wow.

Roth says, "In 1969, I wrote Portnoy. Not only did I write it - that was easy - I also became the author of Portnoy's Complaint and what I faced publicly was the trivialisation of everything."

According to Aaron Ascher, Roth's dear friend and editor, "the attacks were horrible and disheartening, especially from the Jews. He had to cope with the nightmare of a smash hit. It made him angry and defensive, so he closed up. But maybe it did him good. The setback of great success changed and improved him as a writer. Without it, he'd have been different."

He continued publishing outrageous novels in the vein of his commercial breakthrough, eventually introducing Nathan Zuckerman, his literary altar ego, in My Life as a Man. The well received Zuckerman Trilogy (The Ghost Writer, Zuckerman Unbound, and The Counterlife) parallels Roth's career, unfolding with characteristic poignancy and unforgiving humor.

As this article in the Guardian points out, for the last decade, at an age when most writers are beginning to lose interest, Roth has produced a series of books more powerful and accomplished than any he has written before. And he shows no signs of slowing down. Maybe that's what I find the MOST amazing. It gives me hope that it's not too late, that the ship hasn't necessarily passed me by.

"Even now, he doesn't relent," says Aaron Ascher. "This is a 70-something-year-old writer who is still going uphill and keeps getting better. He has back problems which give him great pain, yet he's always working. He never stops, even in his worst periods."

I love this about Roth--

"He works standing up, paces around while he's thinking and has said he walks half a mile for every page he writes. Even now, when his joints are beginning to creak and fail, energy still comes off him like a heat haze, but it is all driven by the intellect. It comes out as argument, mimicry, wild comic riffs on whatever happens to turn up in the conversation. His concentration is fierce, and the sharp black eyes under their thick brows miss nothing. The pleasure of his company is immense, but you need to be at your best not to disappoint him."

He's one of the mad ones, no? In a way? Despite his monklike privacy? Other books by him that I love are The Zuckerman Trilogy, American Pastoral and Human Stain.

Since Macy picked three, I was going to be a copy cat and pick three as well, but I can't choose. However, I can say this-- what I noticed amongst the authors jockeying for position is that they are all successful, they all win awards, they all entertain me immensely and write page-turning series with characters I just can't get enough of. . .

Hmmm. Is there a series in my future?

Cheers and happy writing,
Alyson

Writers I Envy

We’ve decided to blog this week about what current writer we envy and why.

Um… any published writer.

Even though that was my first reaction, I realized almost immediately I don’t envy just any or every published writer. I don’t even envy a great many successful published writers.

Who do I envy?
1) Libba Bray. I’m not sure I even looked forward to the final installment of the Harry Potter series with the zeal with which I await Libba’s The Sweet Far Thing. What is it I envy of Libba so much? I envy the extraordinary, imaginative concepts in her books. I envy her subtle use of theme, how suddenly the theme of her books are staring you in the face. I envy her aching portrayal of an innocent teen with all the angst that is universal, all the desire that bubbles below the surface, all the terror that you will and won’t experience all life has to offer. I’d love to write great YA fantasy. I’d love to write like Libba Bray.

2) J.R. Ward. Envelope-pushing, world-building genius J.R. Ward. Her Black Dagger Brotherhood series is a masterpiece. Her characters, especially the big, bad vampires of the brotherhood are well developed. She breaks rules that make you gasp and sets up story line and arcs that tie book after book together. She knows her characters as if they were real people. She knows her world like I know my hometown. Spectacular. I’d love to write great urban fantasy like J.R. Ward.

3) J.K. Rowling. This one woman made reading cool. She made science fiction and fantasy cool. She spurred a new trend in YA books. Her works have people getting in line to buy books six hours before they go on sale. That’s the stuff of rock bands and arena concerts. And did I say she’s a cagillionaire? I’d love to write like J.K. Rowling. Actually, I’d just love her bank account.

Perhaps this is a bit of an irreverent view, but it was very eye-opening to write it. As I struggle with what I should write after voice class, I find little clues everywhere. All three of the writers I selected write fantasy of some sort. All create vivid worlds that I’d step into if I could. All at least dabble in romance with love interests and hormones and crushes and first kisses. Two of the three are YA with wide adult appeal. All have a distinctly dark aspect. All deal with themes which land squarely in gray, rather than black and white.

I didn’t have any idea this little exercise would continue to give me voice clues.

Sigh.

I guess what I SHOULD write for NaNoWriMo is becoming clearer and clearer.

What current writer(s) to you envy and why?

Macy

I missed Blog Action Day!

I told Macy and my other friends at Affairs of the Pen that I was going to blog on the environment both here and at my individual blog yesterday for blog action day. I never got around to it (lazy blogger, lazy activist . . . I fell asleep after Dancing with the Stars!) BUT Macy did her part. Check out her post here, and read about Al Gore's recent Nobel Peace Prize win here and here. Yes, it's related to the environment:) For the record, I praise and support his win.

Need more environmental stuff? Check out Green TV.

And thanks Macy. You rock!

Cheers,
C. Alyson

November/December Book Club Recs

Both Macy and I have mentioned at our individual blogs that Affairs of the Pen has an online book club. We started it in September with one of Barbara's Samuel's books, A Piece of Heaven, since five of us were taking her voice class. ( You may have "heard" us mention that voice class once or twice. Grin.) This month we're reading and discussing A Hunger Like No Other by Kresley Cole. It was a Rita winner this year. We're also in the process of deciding what we'll read next. Here are some of the books we're considering, for your perusing pleasure.

1. Adios to My Old Life by Caridad Ferrer (YA)
2. The Rules of Survival by Nancy Werlin (YA)
3. Agnes and the Hitman by Jennifer Crusie & Bob Mayer
4. Hard Day's Knight by Katie MacAlister (Contemporary)
5. Claiming the Courtesan by Anna Campbell (Historical)
6. Green Angel by Alice Hoffman (YA)

7. The Kommandant’s Girl by Pam Jenoff (Historical)

8. The Devil's Cub by Georgette Heyer (Historical)

9. Sugar Daddy by Lisa Kleypas (Contemporary)

10. Out of Control by Suzanne Brockmann (Suspense)

11. Angels Fall by Nora Roberts ( Suspense)

If you know anything about these books and would like to sway our vote, feel free to chime in.

Also, when I tinkered a bit with the web site, I removed Jacqueline's favorite recent reads by Ann Gracie. Be sure to check out The Perfect Rake, The Perfect Waltz, The Perfect Stranger, and The Perfect Kiss.

Cheers and happy reading,

C. Alyson

Autumn

Autumn is always a subtle endeavor in Florida. You must pay careful attention to notice its arrival, so I’ve learned to heed the signs of its advent.

Fall in many places is heralded with showy force. The temperature dips so that sweaters and jackets are returned to places of prominence in closets and wardrobe drawers. Hot chocolate supersedes lemonade on grocery lists as football fans fill thermoses full of the rich liquid to drink as they settle beneath blankets at evening games. The canopy of green that marks summer transforms into brilliant shades of red, orange, and yellow.

I miss the transfiguration of the world in autumn.

However, I’ve learned an equinox and calendar cannot proclaim the arrival of fall in Florida. Autumn arrives here, not with a proclamation of trumpets, but rather with the subtlety of a softly plucked guitar.

One morning you wake to greet a soft breeze rather than the driving humid heat. The hue of blue in the sky shifts to a softer shade, an almost imperceptible abatement of harsh light. You sleep through the night without the whir of an air conditioner and eventually crack your windows, letting in the pleasant breeze sans mosquitoes.

Autumn arrives, not with the grandiose intensity I’ve always associated with my favorite season, but with attenuated clues.

My ongoing discoveries about my voice are like autumn in Florida. I’ve had to learn to pay careful attention to subtleties. I wouldn’t mind if voice insights hit me with the full force of a northeast autumn, but I’ve learned to look for minute changes instead.

Careful scrutiny is all that allows one to witness the arrival of fall here. Careful scrutiny is all that allows me to garner those important voice clues which are so valuable.

I’d like to be slammed with the revelation that I should write this or that, that my voice is perfect for a particular genre, or that my gift is to write story X.

Instead I settle for subtle clues I’m learning to recognize. These clues are everywhere when you discover what to notice.

For example, Alyson says my voice deals with allegory. My scientific mind needs proof. Just as I can’t read the words “fall begins” on a calendar and buy into the statement, neither can I just say, “Great. I write with an allegorical voice.” So I decide to look for clues. I start by trying to understand just what an allegorical voice means. My best interpretation? Representing something abstract, spiritual or other in a concrete way, using one thing as a symbol for something altogether other.

I finally agree. Where did I find my clues? My favorite books. I never assumed for a minute that Watership Down really had anything to do with rabbits. I always knew Jonathan Livingston Seagull was about more than a bird. I’ve gleaned all along that the ultimate theme of the Harry Potter series was not so much about good vs. evil, but rather about the power of every decision to influence the course of one’s soul.

Another example: My voice is more about emotion than almost anything else. My clues: I mark passages in my favorite books that evoke that surprising change in the rhythm of your heart – not a change due to suspense, but rather due to an emotional discovery. Examples: J.R. Ward’s powerful portrayal of grief in Lover Awakened or Gemma’s discovery of the roots of why women were so long oppressed in Libba Bray’s novel A Great and Terrible Beauty. Another clue: The way a song I haven’t heard in years will change the rhythm of my heart and the way the memory of why it does so slides in afterward. My first concern when I write my own stories is not with a believable romance or compelling suspense. Rather, it’s with the emotional journey and whether I can apply some deeper understanding through it.

Of course, none of this helps me know what to write or where I fit as a writer. It does, however, remind me that sometimes a box is too small or too confined. A Florida fall doesn’t fit in the autumn box. It’s something other, and yet it’s wonderful and awe-inspiring.

Maybe I just have to be content that I don’t fit in a box.

If it’s good enough for a Florida fall, it’s good enough for me.

Macy

Fire me up!

My novel writing career began a year and a half ago, in April 2006. I've always written--poetry, newsletters, articles, creative nonfiction, academic type papers, short stories, vignettes, acts in plays, journal entries-- but I'd never attempted a novel before. Couldn't figure out how. So, in April 2006, finding myself going mind-numb at home with my amazing son and adorable nephew (sorry, kiddos!), I decided it was time to figure out how, and, can I just say--boy, what a long, strange, winding road it's been! I say this because, like Jacqueline and Macy, I'm going to write about how the voice class has changed my writing-- sorta, kinda. I don't think it's changed my writing exactly. A voice is a voice is a voice, is it not? I think my writing remains my writing, and my voice remains my voice, but the voice class and the revelations it triggered have provided me with much-needed validation and all of the following have been altered: my goals, my WIPs, my determination, my inner fire, my material, and my willingness to follow my out-of-the-box ideas. I also picked up two new muses, which I may blog about this weekend over at my Throw Another Blog on the Fire blog. Oh, and there's another thing that's been altered-- my blog!

Anyway, a bit more history . . .

Before signing up for the online Romancing Writing class at Gotham where I met my fellow AoTP-ers, I had written a handful of short stories-- two featuring tweens, one featuring a teen, three featuring chick-lit type characters, all of them coming of age type stories with romantic elements. I read mostly mainstream or literary fiction, chick lit, young adult and intermediate fiction, a bit of romance, a bit of suspense and, once in a great while, a fantasy, sci fi, paranormal or horror genre novel. I also read lots of nonfiction. I wasn't big on genre fiction. At all. However, I read a lot of intermediate and young adult fiction across subgenres because (a) I was in charge of the kids department (amongst other things) when I worked at Borders, and (b) I was in grad school, working on my teacher certification and a master's degree in teaching language arts.

The point of all this is that I started out writing chick lit when I entered that Romance writing class. I really had no interest in writing romance genre novels. Heck, the only romance genre novels I had read were the novels in the Outlander series, a couple of books by Kathleen Woodiwiss back in the seventies, Laurell Hamilton's Anita Blake series, which isn't exactly romance genre-- and I think that's it. I loved love stories, but I discovered that those I loved weren't strictly romance.

When chick lit was pronounced DEAD following the 2006 RWA national conference, I did some research and discovered I loved, loved, loved SEP, Julia Quinn and Loretta Chase as well as Beth Ciotta and Jennifer Crusie. The thing these writers have in common is that many of their books contain romantic comedy elements. I found something about their books that I thought was akin to chick lit. So, I started converting my chick lit novel into a romance novel. A romantic comedy. A darkish, irreverent, snarky, romantic comedy. Which turned out all screwed up. Blech, blech, blech!

I've had ideas for other novels. I've started them. I've tinkered around with WIP #1, but I haven't really had that fire in my belly that I started out with. I haven't really given my muses enough room to roam wild and free. Until . . .

The voice class!!!!

Why? Because the very first week, Macy sent me an email, just to me, that said something like, I think you could write Young Adult novels. The edgy kind that get banned.

So there you have it-- it all started with Macy.

She was right. I knew instantly because it scared the shit out of me. And excited me. The fire was ignited. The engines zoomed. The wheels all started turning at once. Every time I think about it, still, I get a bit wired and trembly. Perhaps, I think, I could be like one of my heroes who means so very much to kids-- like JK Rowling, Judy Blume, Gary Paulsen, Phillip Pullman, Laurie Halse Anderson, Chris Crutcher, Jerry Spinelli, or others.

I also could write the coming of age, less edgy, chick lit kind,too. I could write series like the Cyd Charisse and Jessica Darling series by Rachel Cohn and Megan McCafferty respectively. I LOVE them.

I briefly thought, well everyone would want to write those kinds of books-- popular, respected YA books-- but that doesn't mean everybody can. But then I realized, no, not everyone wants to write those kinds of books as much as I do. Not everyone would be sitting on the edge of their seat saying, "Oh, wow. I've finally, finally found my true blue calling." ( Do I hear a "hallelujah" in the house? Ah yes, there's one from my mom and dad, lol.)

For three weeks, I've been going nuts checking out YA authors' web sites. Reading, reading, reading. And I'm excited. Ideas are flying. It all ties in to what I wanted to teach before I realized I'd rather write than teach, or maybe, both. Heck, I can't wait to start subbing again as research. Suddenly, the possibilities seem endless.

One of my new muses is a teenager. She said, "It's about time you started listening to me. I'm the one with the tales to spin. Trust me." She also said, "Make sure you thank Macy every day because I've barely begun to mine the very tippy tip of this iceberg , girlfriend. We've got STUFF. All kinds of gloriously screwed up, angsty stuff."

She's right. Thank you, Macy.

I discovered in voice that I predominantly write about finding yourself in hell, and getting out. I tend to like stories about strong, quirky, independent female protagonists and their quests for redemption. My personal hells? Grief/loss, alcohol and drug abuse, domestic violence, depression/post traumatic stress, stifling boredom and high school, high school, high school. Perhaps, someday I'll expand my repertoire to research other kinds of hell-- environmental devastation, war, Wal Mart. Okay, I'm grinning about that last one. Teenage Muse has already reminded me, a few times now, about stalker hell so we'll see what happens with that seed she keeps blowing at me. I'll be giving her free rein during NaNoWriMo. Till then, my very first WIP has been reripped open and given new life. Everything I learned about how to write a romance novel has been chucked. Not because I think the information wasn't worth learning (it was!), but because I'm not a romance writer. I never was. I know now. I bring a slightly different set of tricks to the equation.

I found this quote by Zadie Smith that I find highly relevant to the voice discussions.

“Fictional truth is a question of perspective, not autobiography. It is what you can't help tell if you write well; it is the watermark of self that runs through everything you do.”

If anything has changed about my writing per se, it's that I've given myself permission to leave my watermark without apology or regret. Without toning it down to appease gentler, less warrior-like souls. I've been called to write, over and over again in my lifetime, because I have something to say. I think it's about time I said it in as many different ways as I possibly can. Who knows? Perhaps, if I don't, no one else will. At least not the same way I would.

And that reminds me of an awesome quote by Martha Graham:

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. It is not your business to determine how good it is, nor how valuable, nor how it compares with other expressions. It is your business to keep it yours, clearly and directly, to keep the channel open.”

Cheers and happy writing,
C. Alyson

So, does all this voice stuff really make a difference?

Yes.

Actually, Katrina said she’d know the answer to this in a few weeks now that she’s diving back into the WIP. I understand that.

Perhaps, the correct answer to the above question is “I hope so.”

If that’s the case, what exactly is it that I hope?

First, I hope I’m brave enough to write THE book, the one book that I’d write if I could only write one. I can’t imagine this. One book? Only one? Ever? However, this is a difficult question: What is that one book?

I think maybe my answer has changed from the very specific book I wrote about in voice class to a more general description. I might not write that book yet for many reasons. However, the ONE book I’d write would tell a similar story. It would be a journey about losing yourself to find someone else and then realizing you don’t have a clue who you are. It would be about redemption and second chances and discovering who you are. It would be about a world where people do the wrong things for all the right reasons. It would be about learning to listen to your heart and trust it as much as you do your head.

So, when asked if voice class and the revelations from it have changed my writing, I really have to say I hope so. Before I wrote stories; now I weave an intricate tale of muted souls, wrong turns, and figuring out how to fix it all.

I could write pages about how I hope my writing changes, but I think this one thing is really important, and maybe I’ll just leave it with this one thing: My writing is changing because I know my themes. I know what my ONE book and the one after that and the one after that are supposed to say about the world -- Hope is important. Redemption comes in the strangest places. And you're only lost if you don’t know where you are now.

Go write.

Macy